1/21/2024 0 Comments No sudden move explained![]() ![]() I would say he does it, but at that point you may be exhausted. He has a big important speech, and if you listen to him, you’ll understand everything.įinally, into this mix comes Bill Duke, grandly, dressed more for 1965 or 1975 than 1955, with his pimpy cane, sunglasses, hat and big coat like he’s ready to sing “Be Careful for What You Got” and he tries to steal the show from this bunch of scene stealers. It’s about a bunch of people who have no business all coming together suddenly in confluence. He does for “No Sudden Move” what Lois Smith did in “Minority Report.” He arrives at the center to explain to the audience, and to Don Cheadle, what “No Sudden Move” is about. His name is Matt Damon, and he does have more than just an extended cameo. SPOILER: It’s been written about, but the Surprise Uncredited Star can’t be ignored. There are plenty of other people, don’t worry, including Ray Liotta and a Surprise Uncredited Star. Our gang decides to involve an auto exec and his suburban family, played to the hilt by David Harbour as a charming dolt, with Amy Seimetz as his wife, and Noah Jupe as his teenage son. At the same time, the cops are monitoring the action in the person of a deadpan Jon Hamm. So Don Cheadle, Benicio del Toro, and Kieran Culkin (albeit briefly) seem to be doing this bidding for a whale of a man played by Benicio del Toro. It’s a wonder we actually drive cars after seeing how this went down. But this gang is incapable of performing this task in a straightforward way, which results in a story that becomes a ball of twine. ![]() There’s a lot of money involved in exchange. The paper contains the design for the catalytic converter, which will change the automobile business. I’m not giving anything away to say that a group of criminals is set the task of obtaining a piece of paper in a safe. Soderbergh has photographed them with such sensuality, Warner Bros. The automobiles in “No Sudden Move” are like showgirls, glistening, sexy, beckoning. The main thing to know is that it’s set in the stylized mid century 1955 past of Detroit, when cars ruled the world and were objects of pleasure. No one can be trusted or taken at face value in what feels like it’s going to be a heist movie but turns out to be a series of magic acts and sleight of hand as a kind of convoluted mystery unfolds among a group of what we would call “real characters,” as in those people are real characters. ![]() “No Sudden Move” is like a Soderbergh greatest hits album, which is a pretty good thing. I’m also thinking that he used a fish eye lens as a signal that something fishy is going on on this big beautiful screen. There are so many characters, plots, and stories in Steven Soderbergh’s “No Sudden Moves,” that I’m convinced he and screenwriter Ed Solomon thought we might get bored. ![]()
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